Never strongly embraced in Italy, my birthplace, Cage the Elephant—a Kentucky band that moved to London at the end of the 2000s—led a sold-out show at the O2 Academy in Glasgow on 13th February 2025. The performance took me back to my 20s, when I would listen to a randomly picked selection of indie rock bands, smugly sharing them with my small group of followers on Facebook.

So, I was feeling quite nostalgic.

The band was supported by two opening acts: Girls Tones, an American high-rock duo that stole my heart, and the caffeinated hard rock of Sunflower Bean.

For those who were still caught up in the allegations against him and his well-documented struggles with mental health, the Neon Pill Tour, promoting their latest album, presented a reborn Matt Shultz. Dressed in a sweater I had always dreamed of owning, classic Maison Margiela boots, and sober yet effortlessly cool gold jewellery, he exuded confidence.

As soon as the lights went out, Shultz leapt onto the stage, immediately illuminated by a perfectly placed spotlight. Backed by his loyal brother Brad and a solid band, he ignited the cheering pit with standout tracks from previous albums, such as Cry Baby and Too Late to Say Goodbye.

The first song from the new album to make an appearance was Good Time, infused with hip-hop influences. It was quickly followed by Neon Pill, which reaffirmed the band’s signature sound. But if the crowd expected a typical promotional tour, they were mistaken—myself included. Only three new songs were played throughout the night, the last of which was Rainbow, a track clearly inspired by reggae.

Sticking to the night’s nostalgic theme, Cage the Elephant delivered a mixed setlist of past hits, creating a show that felt like pure fan service. The crowd jumped, sang, and momentarily forgot their everyday worries, reliving the energy of their youth. Songs such as Halo and Ain’t No Rest for the Wicked built up to a climactic finish with Sabretooth Tiger.

Yet, as the venue erupted in chants for an encore, the band returned, treating the audience to four more songs, including their unforgettable Cigarette Daydreams and Come a Little Closer, which closed the night on a high.

After such a nostalgic show, I can only wish the band the best for the rest of the tour and hope they receive the same incredible response they found in Glasgow. Personally, I can’t wait to see them again soon.

Article: Marco Cornell