Milange delivered a magnetic and emotionally charged performance at King Tut’s Wah Wah Hut in Glasgow, opening their set with what appeared to be new, unreleased songs—‘Front Row’ into ‘Night Keeper’, followed by ‘Greyhound’. From the very start, their theatrical energy and compelling presence captivated the crowd.

The band’s unique blend of spoken word elements and powerful, angsty lyrics cut deep, giving the performance a raw, expressive edge. A full, layered soundscape filled the venue, with violin, cello, and harp weaving through each track—adding striking depth and dramatic flair.

Highlights included the grungy guitar tones in ‘Man Like Me’, where gritty distortion clashed beautifully with the orchestral textures. The crowd was visibly entranced, held in rapt attention throughout. ‘Sing!’, a track from their EP released last year, was a clear favourite—eliciting an enthusiastic response.

The energy never dipped, with the band announcing they’ve been hard at work in the studio on new material, due out by the end of the year—something to look forward to, given the strength of tonight’s set. A standout guitar solo in the second-to-last track surged with intensity, building anticipation for the finale.

They closed with ‘On and On’, a dynamic piece that swung between sensual, atmospheric moments and explosive grungy punk choruses—evoking the layered ferocity of Deftones. A fitting end to a show that balanced emotion, artistry, and raw power with impressive finesse.

Article: Reanne McArthur