I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

The balmy morning should have been all the warning we needed, to know that the rain would appear today and appear in glorious form it did…

There is a marked change in the festival audience on day two, very young girls in very tiny bikinis – completely unprepared for the inclement weather to come.

The early afternoon kicked off with a performance by Inhaler, the rising Irish band effortlessly bridged the gap between nostalgia and modernity. With their infectious guitar riffs and frontman Elijah Hewson’s distinctive vocals, they had the crowd swaying and singing along to their indie anthems, leaving us eager to hear more from this promising quartet. We loved, “My Honest Face”.

Next up were The Coronas, who captivated the audience with their heartfelt melodies and contagious energy. The Irish outfit commanded the stage with their charm, delivering a set brimming with catchy hooks and heartfelt lyrics. The crowd was swept away by their euphoric tunes, creating a unified sense of joy that permeated the air. Our Favourite track was, “Heroes for Ghosts”.

Next we ran over to the River Stage to catch for the enchanting sounds of Lauran Hibberd. With her impeccable songwriting skills and powerful vocals, Hibberd showcased her ability to capture both vulnerability and strength in her music. Her songs, filled with sharp observations and relatable stories, resonated deeply with the crowd, forging an emotional connection that lingered long after her final note. We relived our emo days bopping to, “Bang, Bang, Bang”

As darkness settled in and with the rain finally clearing, the anticipation for Kasabian reached its peak. The British rock favourites unleashed an explosive set that ignited the festival grounds. Their signature blend of electrifying guitar, pulsating beats, and Serg Pizzorno commanding stage presence transported us into a state of pure joy. Admittedly we weren’t sure how we would feel with Serg on vocals but the band played a tight set that entertained the masses. The crowd came alive, belting out every word to anthems like “Fire” and “Club Foot,” transforming the field into a sea of unified energy.

Bringing the night to a crescendo, LF Soundsystem took the stage, engulfing the crowd in a sonic feast of electronic wizardry. Their masterful fusion of house, disco, and funk elements had the entire audience entranced and dancing with unbridled enthusiasm. As they delivered their iconic hits like “Always Feel Afraid” and “Hungry,” LF Soundsystem effortlessly proved why they remain unrivaled in their ability to captivate and energize.

Words: Angela & Eva Canavan

Photos: Angela Canavan

Amidst the hazy Glasgow skyline, the TRNSMT 2023 Friday event unfolded like a tempestuous symphony, of raw energy and unfiltered passion that permeated the air.

Having taken over from the formidable T in the Park, TRNSMT can be seen as it’s baby brother. At 6 years old the festival still seems to be figuring out how to finesse a line up that both appeals to the masses but also has enough clout with the discernible music affecinado to coax them into buying a ticket.

I feel that this year there has been a reasonable attempt at doing so. A gathering of eclectic talents delivered a night that oscillated between introspective melancholy and unabashed revelry, leaving the crowd intoxicated by the musical delights on offer. Or by the copious amounts of Tennents being consumed within the hallowed grounds of Glasgow Green.

The View, a band synonymous with working-class fervor, burst onto the stage like the boisterous ragamuffins we remember. They’ve always brought an air of joviality to a festival audience and it’s good to see them back doing what they do best. Their gritty anthems, soaked in tales of urban realities and youthful rebellion, gripped the audience with an iron fist. Each song bellowed with unapologetic vigor, stirring the crowd into a frenzy of cathartic release. Standout Track: “Wasted Little DJ’s”.

Cloth emerged, veiling the stage in ethereal soundscapes and an air of introspective joy. Their delicate melodies intertwined with haunting vocals, conjure up the imagery of grey Sunday afternoons and heartbreak. The twins, Rachel & Paul Swinton garnered attention after being featured on the soundtrack for Normal People – a good fit for the bands evocative poetry found within their lyrics. Cloth’s music penetrates the depths of the human experience, extracting both sorrow and solace from the collective heart. Our stand out track was the breathless whisper of their latest single “Pigeon”.

With the arrival of The Big Moon, the atmosphere transformed into a kaleidoscope of unbridled energy. It’s no secret that The Golden Bough have been long term appreciators The Big Moon, armed with an arsenal of catchy hooks and infectious energy. The all-female quartet commanded the stage with unwavering confidence, delivering a set filled with indie rock gems that had the crowd dancing and singing along. Their tight harmonies and bubble gum melodies leave an indelible mark on all who witnessed their formidable charm. We flailed about in the crowd to “Your Light”

Warmduscher arrived on stage with enormous swagger and a heavy dose of disco laced funk. Their frenetic fusion of garage rock and punk detonated on stage like a Molotov cocktail, fueling an acceptable amount of chaos. With their relentless energy and uninhibited stage presence, Warmduscher proved that they are a force to be reckoned with, leaving a lasting impression on the crowd. We loved the absolute stomp that was “Friends in High Places”.

As the night neared its climax, the legendary Pulp took the stage, like a phoenix rising from the ashes – after all “This performance is an encore” as the visuals explained to the packed out festival audience. Jarvis Cocker’s magnetic presence and poetic lyricism electrified the final performance of the evening.

Pulp’s timeless hits, laced with sharp social commentary, unleashed a wave of nostalgia and an appropriate amount of fervour . Since our teenaged years we’ve always loved how Pulp’s music, dissected the human condition, exposing our desires, fears, and contradictions with unflinching honesty.

Jarvis and Co. held the audience in rapt attention from the first note. Their set was a masterclass in captivating performance, leaving no doubt as to why they are regarded as one of the greats. Too many hits to mention but notable mention goes out to, “Disco 2000” and “Babies”.

Words: Angela Canavan

Photos: Angela Canavan

As I stumbled into the hazy world of Bdrmm, I couldn’t help but feel a sense of déjà vu. It was as if I had been transported back to the heyday of the psychedelic ’60s, where the air was thick with the scent of rebellion and the promise of a new era. But this was no time machine; this was the intoxicating sound of Bdrmm, a band that effortlessly channels the spirit of that era while carving out their own unique space in the dream pop scene.

Like a mad scientist, Bdrmm concocts a potent blend of shoegaze, post-punk, and indie rock, creating a sonic cocktail that is both familiar and refreshingly original. They are currently touring their second album “I Don’t Know” which is a journey through the depths of the subconscious, a kaleidoscopic trip that takes the listener on a rollercoaster ride of emotions.

Tonight’s set is split into to halves. The first half focuses solely on new material and the band play their new album in it’s entirety. The second is devoted to hits from their sophomore album.

From the opening bars of recent single “Pulling Stitches”, it becomes clear that Bdrmm is not here to play it safe. The swirling guitars and ethereal vocals transport you to a world where reality and fantasy intertwine, where the line between dreams and waking life blurs. It’s a disorienting experience, but one that is undeniably captivating.

But it’s not just the music that sets Bdrmm apart; it’s their fearless approach to songwriting. Tracks like “Gush” and “Happy” are unapologetically raw and vulnerable, laying bare the band’s innermost thoughts and fears. It’s a cathartic release, a sonic exorcism that leaves you both shaken and exhilarated.

And then there’s the live experience. Watching Bdrmm perform is like witnessing a religious ceremony, a ritualistic celebration of sound and energy. Frontman Ryan Smith is a force of nature, his frenetic stage presence and impassioned delivery drawing you into the heart of the music. It’s a performance that leaves you breathless, a testament to the band’s commitment to their craft.

But amidst the chaos and intensity, there is a sense of hope. Bdrmm’s music is not just a reflection of the darkness that lurks within us all; it’s a beacon of light, a reminder that even in our most vulnerable moments, there is beauty to be found. It’s a message that resonates deeply in these uncertain times, a reminder that we are not alone in our struggles.

In the end, Bdrmm are more than just a band; they are a revelation. Their music is a testament to the power of art to transcend boundaries and connect us on a primal level. It’s a reminder that sometimes, in order to find ourselves, we must first lose ourselves in the music. So, strap yourself in, my friends, and prepare for a wild ride. Bdrmm is here to take you on a journey you won’t soon forget.

Pictures: Angela Canavan @zombiefang

Words: Angela Canavan

Opening for tonight’s main act was the utterly mesmerising Friedberg a trans Berlin & London four price who are fresh off touring with Hot Chip.

We absolutely loved what they had to offer which was a glorious cacophony of Riot Grrrl energy that was infectious and highly east to dance to.

They remind me of ESG slow dancing at a high school disco with The Big Moon. We loved the tenuous amount of Cowbell on offer (can you ever have enough?) and festival ready anthems like; “Go Wild” and “Yeah”. Catch them when they next roll into town.

I’ve been fan girling hard for Placebo since I was about 15 the band have held the hand of many a millennial throughout their teen emo phase – one I’m not entirely sure I ever fully left.

I interviewed Jamie Hince of The Kills fame – back in the days when he was touring the No Wow album and we spend an extraordinary amount of time talking about our joint appreciation for Brian Molko.

Jamie explaining about the times they squatted in flats in London’s East End, building experimental music machines with found material. Me talking about how one day I too aspired to be a Nancy Boy…

From the moment the band took the stage, the energy in the room was electric. The crowd was a sea of black leather and eyeliner, all eagerly awaiting the arrival of their beloved rock icons.

As soon as the first notes of “Forever Chemicals” rang out, the audience erupted into a frenzy of sharp pointed Mohawks and experimental eyeliner.

Frontman Brian Molko strutted across the stage, his voice dripping with raw emotion as he belted out the lyrics. The band’s signature blend of grunge, punk, and glam rock was on full display, and it was clear that they were on top form.

The band had imposed a strict no phones policy which was much to the chagrin of many a fan, was it pretentious? Or were they as they admitted trying to simply protect the audiences connection with the band themselves?

At the end of the day I know I don’t like to watch a concert on an iPhone screen while a 6 foot dude in front of me films the entirety of the show with his torch on. So honestly? I think it was for the best.

Although the band are currently touring in celebration of ‘Sleeping with Ghosts’ turning 20 years old the band didn’t play many tracks from this album.

In fact they also didn’t play many of their much loved hits such as; “Every Me, Every You” or “The Bitter End” and admittedly much to my utter dismay “Nancy Boy” instead the opted for a set littered with gems from a range of their extensive back catalogue.

One of the highlights of the night was the performance of “Bionic” which had the entire crowd singing along at the top of their lungs.

Molko’s vocals were haunting and powerful, and the band’s tight musicianship was on full display.

Placebo also played a number of deep cuts and lesser-known tracks, which only served to further showcase their versatility and talent. “Song to Say Goodbye” was a particular standout, with its driving bassline and Molko’s snarling vocals.

Throughout the night, the band’s energy never waned. Molko and bassist Stefan Olsdal were constantly in motion, jumping and thrashing around the stage with abandon.

Drummer Steve Forrest held down the rhythm with precision and power, and the entire band seemed to be feeding off the energy of the crowd.

“Slave to the Wage” – a personal favourite and “The Bitter End” received a tremendous roar from the crowd.

As the night drew to a end Placebo came back with a short en core with a rousing cover rendition of “Shout” which was prefaced by shout out to all our Trans and Non-binary friends there was some chat about having a choice about who exactly you get fucked by – which was alluding to Molko’s support for Scottish Independence (he is 50% Scottish after all – so we may as well claim him as one of our own),leaving the audience begging for more.

They closed the set with their beautiful cover of Kate Bush’s “Running Up That Hill” which the audience loved.

It was a truly unforgettable performance, and one that has cemented Placebo’s status as one of the most iconic rock bands of our time and not only the dreamy hero’s of our teenage years…

Words & Photos: Angela Canavan

Hot 8 Brass Band are a New Orleans institution. The band have been entertaining audiences with their unique blend of jazz, funk, and hip-hop for over two decades. Their music is a celebration of the rich musical heritage of New Orleans, and their live performances are a testament to their incredible talent and energy.

The band who have lost several members of the original line up to gun violence are currently on tour to commemorate the passing of founding member Bennie Pete, who passed away to covid related health complications.

Daubed “The Bossman Tour” the band open the set with an original New Orleans Death March, explaining to the audience that the culture is to celebrate life not forget it.

Tonight’s performance will certainly leave a marked impression on the minds of those present.

One of the most impressive things about the Hot 8 Brass Band is their ability to seamlessly blend different genres of music.

Their music is a fusion of traditional New Orleans jazz, funk, and hip-hop, and they are able to switch between these styles with ease.

Their live performances are a high-energy affair, with the band members dancing and interacting with the crowd, creating a party atmosphere that is impossible to resist.

Each member of the ensemble is a master of their instrument, and they work together to create a sound that is both tight and dynamic.

The brass section is particularly impressive, with the trumpets and trombones playing off each other in a way that is both intricate and powerful.

One of the highlights of a Hot 8 Brass Band performance is their rendition of Joy Divisions “Love Will Tear Us Apart” which is impossible not to dance to.

The band rattle through an impeccable set covering Snoop Dog’s “Who Am I” mixed with Luniz, “I Got Five On It”.

There is a special rendition of and I kid you not “Happy Birthday” after all the law of averages would indicated at has to be at least one persons special day in the audience.

Low and behold a couple are invited to the front of the stage who have just been married that morning and are now at the gig celebrating – after all we are here to celebrate life in all of its complex intracies.

“Sexual Healing” by Marvin Gaye, is dedicated to the journey they have begun together.

The band’s version of the song is a funky, brass-heavy interpretation that is both fun and soulful. The crowd always goes wild when they play this song, and it’s easy to see why.

Hot 8 Brass Band a force to be reckoned with. Their music is a celebration of the rich musical heritage of New Orleans, and their live performances are a testament to their incredible talent and energy. If you have the chance to see them perform, don’t miss it.

Words: Angela Canavan

Photos: Angela Canavan

Fan Favourites:

“I lived the drumming, outside of New Orleans it’s the best jazz we’ve seen, great energy” Shirley Linton

“We thought they were The Cool 3, not the Hot 8 – but we are glad we caught them” Jan Maxton

“Infectious music, rhythmic made you want to dance, we never stopped all night” Avin Newton

“Wanted to see them for five years, so glad I got the opportunity tonight. Ever since I seen the film, “When the Levees Broke” they’ve been on my list. They’re class “ Felix Cairns