The Golden Bough

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

I think it was fair to say on Day 3 we were surviving and defiantly NOT THRIVING. With bruised shins purpling under the muggy Glasgweigian sun today we had a schedule jam packed trying to see as many performances as possible.

With each band leaving their own stamp (or stomp) on Glasgow Green, let’s dive into the captivating performances that defined this extraordinary day of music.

Kicking off proceedings was Glasgows own scene darlings, Lucia & the Best Boys, whose brooding blend of indie rock roused the early afternoon crowd. Lucia Fairfull‘s ethereal vocals, combined with the band’s atmospheric soundscapes, conjured a sense of moody synth pop that enveloped the audience. We loved their set opener and current single, “So Sweet I Could Die”

We then literally raced back to the Main Stage to catch, Pale Waves launching on stage with their beautiful shimmering pop melodies and daydream lyricism.

Heather Baron-Gracie’s powerful vocals soared above the infectious synth-driven arrangements, capturing hearts and minds with their anthemic hits. The crowd surrendered to the irresistible allure of tracks like “There’s a Honey” and “Television Romance,” creating an atmosphere brimming with pure joy.

The intensity escalated with the arrival of Dream Wife, a band known for their fierce stage presence and punk-infused anthems. Rakel Mjöll, Alice Go, and Bella Podpadec exuded an infectious energy that ignited the audience, encouraging a whirlwind of movement and liberation.

It’s no secret that we LOVE Dream Wife here at The Golden Bough and todays performance only served to solidify our glowing love for this powerhouse of Riot Grrl energy.

Embodying the spirit of rebellion in every bar serving sultry fashion siren looks and empowering messages, Dream Wife put on an unforgettable performance, empowering us all to embrace our individuality and challenge societal norms. There was too many songs in this set that we adored but a special shout out goes to their current single, “Don’t Date a Musician”.

Bob Vylan became our most adored set of the weekend. Unleashing an unapologetically confrontational set, provoking thought and sparking conversations with their politically charged punk rock. We can honestly admit we were not prepared for this riot or a set.

Their raw, uncompromising energy resonated with the crowd, highlighting the power of music as a tool for social commentary and activism. Bobbii Vylan’s impassioned delivery and incisive lyrics left no room for complacency, offering a visceral experience that demanded attention and introspection. All good songs deserve to be delivered with a cricket bat so notable mention has to go to, “Lynch Your Leaders”.

Promising upstarts from Glasgow, Uninvited took to the River Stage in front of an audience that was 70% made up of other artists from Glasgow and Edinburgh.

It’s good to see the home crowd turning up for the locals. Uninvited bring a fun sense of play to their scuzzy garage guitar rock. Despite some technical problems the set resounded well around the Forrest’s knoll much to the audiences delight. We loved, “Friends With Mascara”.

As the night sky unfolded, Royal Blood unleashed their explosive rock ‘n’ roll assault, instantly electrifying the crowd. Mike Kerr’s hair metal basslines and Ben Thatcher‘s thunderous drumming reverberated through the air, creating a seismic force that engulfed Glasgow Green. The duo’s relentless energy and electrifying presence transformed their performance into a triumphant celebration of rock’s power to captivate and unify. We loved, “Loose Change”

Finally, The 1975 took the stage, effortlessly blending art-pop sensibilities, infectious hooks, and socially conscious or contentious lyrics. Matt Healy‘s is a social hand grenade, love him or loathe him his erratic stage presence and the band’s dazzling visuals elevated their performance to a realm of pure spectacle. The audience surrendered to the euphoric waves of hits like “Love It If We Made It” and “Somebody Else,” embracing The 1975’s ability to both entertain and provoke seems to be what they do best.

Words: Angela Canavan

Photos: Angela Canavan

The balmy morning should have been all the warning we needed, to know that the rain would appear today and appear in glorious form it did…

There is a marked change in the festival audience on day two, very young girls in very tiny bikinis – completely unprepared for the inclement weather to come.

The early afternoon kicked off with a performance by Inhaler, the rising Irish band effortlessly bridged the gap between nostalgia and modernity. With their infectious guitar riffs and frontman Elijah Hewson’s distinctive vocals, they had the crowd swaying and singing along to their indie anthems, leaving us eager to hear more from this promising quartet. We loved, “My Honest Face”.

Next up were The Coronas, who captivated the audience with their heartfelt melodies and contagious energy. The Irish outfit commanded the stage with their charm, delivering a set brimming with catchy hooks and heartfelt lyrics. The crowd was swept away by their euphoric tunes, creating a unified sense of joy that permeated the air. Our Favourite track was, “Heroes for Ghosts”.

Next we ran over to the River Stage to catch for the enchanting sounds of Lauran Hibberd. With her impeccable songwriting skills and powerful vocals, Hibberd showcased her ability to capture both vulnerability and strength in her music. Her songs, filled with sharp observations and relatable stories, resonated deeply with the crowd, forging an emotional connection that lingered long after her final note. We relived our emo days bopping to, “Bang, Bang, Bang”

As darkness settled in and with the rain finally clearing, the anticipation for Kasabian reached its peak. The British rock favourites unleashed an explosive set that ignited the festival grounds. Their signature blend of electrifying guitar, pulsating beats, and Serg Pizzorno commanding stage presence transported us into a state of pure joy. Admittedly we weren’t sure how we would feel with Serg on vocals but the band played a tight set that entertained the masses. The crowd came alive, belting out every word to anthems like “Fire” and “Club Foot,” transforming the field into a sea of unified energy.

Bringing the night to a crescendo, LF Soundsystem took the stage, engulfing the crowd in a sonic feast of electronic wizardry. Their masterful fusion of house, disco, and funk elements had the entire audience entranced and dancing with unbridled enthusiasm. As they delivered their iconic hits like “Always Feel Afraid” and “Hungry,” LF Soundsystem effortlessly proved why they remain unrivaled in their ability to captivate and energize.

Words: Angela & Eva Canavan

Photos: Angela Canavan

Amidst the hazy Glasgow skyline, the TRNSMT 2023 Friday event unfolded like a tempestuous symphony, of raw energy and unfiltered passion that permeated the air.

Having taken over from the formidable T in the Park, TRNSMT can be seen as it’s baby brother. At 6 years old the festival still seems to be figuring out how to finesse a line up that both appeals to the masses but also has enough clout with the discernible music affecinado to coax them into buying a ticket.

I feel that this year there has been a reasonable attempt at doing so. A gathering of eclectic talents delivered a night that oscillated between introspective melancholy and unabashed revelry, leaving the crowd intoxicated by the musical delights on offer. Or by the copious amounts of Tennents being consumed within the hallowed grounds of Glasgow Green.

The View, a band synonymous with working-class fervor, burst onto the stage like the boisterous ragamuffins we remember. They’ve always brought an air of joviality to a festival audience and it’s good to see them back doing what they do best. Their gritty anthems, soaked in tales of urban realities and youthful rebellion, gripped the audience with an iron fist. Each song bellowed with unapologetic vigor, stirring the crowd into a frenzy of cathartic release. Standout Track: “Wasted Little DJ’s”.

Cloth emerged, veiling the stage in ethereal soundscapes and an air of introspective joy. Their delicate melodies intertwined with haunting vocals, conjure up the imagery of grey Sunday afternoons and heartbreak. The twins, Rachel & Paul Swinton garnered attention after being featured on the soundtrack for Normal People – a good fit for the bands evocative poetry found within their lyrics. Cloth’s music penetrates the depths of the human experience, extracting both sorrow and solace from the collective heart. Our stand out track was the breathless whisper of their latest single “Pigeon”.

With the arrival of The Big Moon, the atmosphere transformed into a kaleidoscope of unbridled energy. It’s no secret that The Golden Bough have been long term appreciators The Big Moon, armed with an arsenal of catchy hooks and infectious energy. The all-female quartet commanded the stage with unwavering confidence, delivering a set filled with indie rock gems that had the crowd dancing and singing along. Their tight harmonies and bubble gum melodies leave an indelible mark on all who witnessed their formidable charm. We flailed about in the crowd to “Your Light”

Warmduscher arrived on stage with enormous swagger and a heavy dose of disco laced funk. Their frenetic fusion of garage rock and punk detonated on stage like a Molotov cocktail, fueling an acceptable amount of chaos. With their relentless energy and uninhibited stage presence, Warmduscher proved that they are a force to be reckoned with, leaving a lasting impression on the crowd. We loved the absolute stomp that was “Friends in High Places”.

As the night neared its climax, the legendary Pulp took the stage, like a phoenix rising from the ashes – after all “This performance is an encore” as the visuals explained to the packed out festival audience. Jarvis Cocker’s magnetic presence and poetic lyricism electrified the final performance of the evening.

Pulp’s timeless hits, laced with sharp social commentary, unleashed a wave of nostalgia and an appropriate amount of fervour . Since our teenaged years we’ve always loved how Pulp’s music, dissected the human condition, exposing our desires, fears, and contradictions with unflinching honesty.

Jarvis and Co. held the audience in rapt attention from the first note. Their set was a masterclass in captivating performance, leaving no doubt as to why they are regarded as one of the greats. Too many hits to mention but notable mention goes out to, “Disco 2000” and “Babies”.

Words: Angela Canavan

Photos: Angela Canavan