Sir Chloe // St.Lukes // 24.05.26

One of the things I love about summer shows at Saint Luke’s in Glasgow is the way the evening sun shines through the high stained-glass windows. It adds just that extra layer of atmosphere that suits live music perfectly. This gig was no exception, as Sir Chloe’s return to the city on Sunday 24th May delivered a stellar performance after three years away.

The band kicked off with “Squaring Up,” with frontwoman Dana Foote singing the first verse backstage before finally stepping out for the chorus donning a kilt to an immediate wave of applause. Notably, she no longer plays guitar live, leaving the gritty instrumentation to her bandmates. The change suits her well; she fully leans into her captivating stage presence, constantly moving and locking eyes with audience members throughout the show. The crowd matched her energy, and although the show wasn’t sold out, the more intimate atmosphere felt like a perfect fit for the band.

The setlist was solid, striking a strong balance between older favourites and new material. If you haven’t heard Sir Chloe before, they sit somewhere between PJ Harvey’s raw intensity and The Pixies’ dynamic alt-rock — a combination that translated exceptionally well to the live setting. Highlights of the show included a ferocious performance of “Animal,” the grungy “Salivate,” as well as personal standouts “Forgiving,” “The Hole,” and the dreamy, swaying waltz of “Eyes,” all from the band’s latest album, Swallow the Knife.

The night reached its peak in the encore as the opening chords of their viral hit “Michelle” rang out beneath the venue’s vaulted ceilings, with the crowd singing along to bring the night to a close.

It was a fantastic gig that showed just how versatile Foote is as a songwriter and performer. Backed by a superb band, Sir Chloe delivered a set that felt both intimate and powerful, leaving little doubt as to why their audience continues to grow. For me, the newer songs felt particularly strong live, showcasing a more confident edge to their evolving sound.

Article: Barry Carson